Emma Ramadan

Ramadan considers the transformative power of translation to amplify voices from experimental and marginalized literary landscapes. By translating works like "Sphinx" and "Not One Day" by Anne Garréta, she brings linguistically innovative narratives into the English-speaking world. Her method centers on preserving the authenticity and unique narrative voices of the original texts, which is particularly evident in her translations of works by women and authors from the Arab world. This focus ensures that stories challenging mainstream narratives are given prominence, expanding the reader's understanding of diverse cultural contexts.\n\nWhile Ramadan's work benefits readers interested in cross-cultural exchange and those who appreciate literature with a strong narrative voice, it also resonates with individuals seeking stories that engage with themes of identity and cultural history. Her translation of "A Country for Dying" by Abdellah Taïa, for instance, showcases her ability to bring the complexities of cultural and historical contexts to life, earning her the PEN Translation Prize. Beyond translation, her role as co-owner of Riffraff, a bookstore and bar, reflects her commitment to fostering a community centered around literature and dialogue, thus deepening her impact on the literary field.\n\nRecognized with awards such as the Albertine Prize and twice receiving the National Endowment for the Arts Translation Fellowship, Ramadan's career continues to expand the reach of French and Francophone literature. Her endeavors not only enrich the literary bio of translated works but also ensure that diverse voices find a platform in the English literary canon, contributing to a richer, more inclusive global narrative.