Anwen Hayward

Hayward reframes classical mythology through the lens of contemporary identity, focusing on themes of trauma and victimhood. As a Welsh writer with a background in Myth, Narrative and Theory, she delves into how ancient narratives can be reinterpreted to explore modern questions about identity. Her work, deeply informed by her queer and neurodivergent perspectives, seeks to challenge conventional storytelling by integrating marginalized voices into the retelling of well-known myths. For instance, in her novella "Here, the World Entire", she reimagines the Medusa myth to highlight how narratives shape perceptions of monstrosity and victimhood.\n\nHer literary approach involves a blend of feminist critique and cultural analysis, aiming to reveal how narratives are constructed and how they can be reshaped to include diverse perspectives. Hayward's work not only draws heavily on Welsh culture and classical reception but also extends to editing and story guidance, helping others to develop their narratives. This dual focus on writing and editorial work allows her to explore narrative potential both personally and collaboratively, fostering a deeper understanding of story creation and transformation.\n\nReaders who engage with Hayward's work benefit from a richer understanding of how classical myths can be adapted to speak to contemporary issues, particularly those surrounding identity and marginalization. Her contributions to literature provide a fresh perspective on how ancient stories can be used to tell deeply personal tales, making her an influential figure in the field of mythological retellings. Her early book, "Here, the World Entire", stands as a testament to her skill in weaving together complex themes into compelling narratives, while her overall bio highlights her commitment to exploring the intersection of classical and contemporary storytelling.