Gail Kern Paster

Paster interrogates the interplay of literature, history, and medicine, bringing fresh perspectives to the study of Shakespeare and early modern drama. Her work delves into how emotions and the human body are represented on stage, offering a rich understanding of Elizabethan and Jacobean societal norms. By employing humoral theory, she reveals how early modern texts portray bodily and emotional experiences, which is especially evident in her book "Humoring the Body: Emotions and the Shakespearean Stage". Her interdisciplinary approach makes complex historical and literary ideas accessible, enhancing both academic scholarship and public understanding.\n\nHer scholarship, characterized by rigorous historical research and nuanced literary analysis, benefits readers interested in the cultural history of emotions. As an influential figure in Shakespeare studies, her role as Director of the Folger Shakespeare Library from 2002 to 2011 allowed her to advance programming and outreach, bridging the gap between scholarly work and public engagement. Meanwhile, her co-edited collection, "Reading the Early Modern Passions: Essays in the Cultural History of Emotion", showcases her ability to synthesize diverse academic insights, further establishing her impact on the field.\n\nThe author’s contributions have been recognized with honors such as the Amherst College Alumni Medal in 2011, reflecting her significant influence on humanities scholarship. Her early book, "The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England", continues to be a vital reference for those exploring the intersections of drama and social discipline. This short bio captures how Paster’s work not only enriches academic discourse but also remains a vital resource for anyone interested in the enduring relevance of Shakespearean literature.