James Scully

Scully interrogates the intersection of poetry and social activism through works that engage deeply with historical and political contexts. His career was characterized by a commitment to social justice and cultural critique, exploring these themes in a prolific output of poetry and translations. By co-translating Greek tragedies like "Prometheus Bound" and "The Complete Plays of Sophocles", Scully brought ancient narratives into modern conversations, thereby connecting classical literature with contemporary social issues. His critical essays in "Line Break: Poetry As Social Practice" emphasize the role of poetry as a catalyst for societal change, reflecting his belief in literature as an agent of activism.\n\nReaders interested in literature that challenges societal norms will find value in Scully's works, which consistently highlight international solidarity and political engagement. His journal-based "Vagabond Flags: Serbia & Kosovo" exemplifies this approach by drawing on his travels and firsthand experiences. Furthermore, the author’s role as the founding editor of the "Art on the Line" series underscores his dedication to integrating art and social discourse. This focus not only enriches readers’ understanding of global issues but also inspires them to consider the broader impact of art and literature on social justice.\n\nRecognition of Scully’s contributions came early, with honors like the Lamont Poetry Prize in 1967. His books, such as "The Marches" and "Santiago Poems", are emblematic of his thematic focus and commitment to a politically engaged literary practice. This bio summarizes a career that consistently sought to situate poetry within the larger framework of cultural and political activism, offering readers both insight and inspiration through a blend of creative expression and social consciousness.