John Kelsey

Kelsey navigates the intricate intersections of art, writing, and curation, employing a multifaceted approach that blends his extensive background in woodworking literature with contemporary artistic practices. He delves into themes of memory and identity, particularly focusing on the fragmentation of experience in the modern information age. This exploration is evident in his poem/memoir "I Forget", which serves as an introspective counterpoint to Joe Brainard’s "I Remember", reflecting on memory loss and information overload. Kelsey's writing style is often described as Romantic in spirit but with a wounded, modern sensibility, reminiscent of figures like Heinrich von Kleist. This suggests an artistic temperament marked by intensity and a critical stance toward modernity.\n\nThroughout his career, Kelsey has worn many hats, from editor at "Fine Woodworking" magazine to a member of the Bernadette Corporation, an artist collective that challenges traditional boundaries by blending art, fashion, and commerce. His co-founding of Reena Spaulings Fine Art further illustrates his commitment to integrating art with broader cultural dialogues. While his personal details and specific awards remain largely undocumented, Kelsey's contributions to both the literary and art worlds provide rich material for those interested in the complexities of contemporary culture. Readers and art enthusiasts benefit from his work by gaining insights into how memory and identity are shaped by, and fragmented within, our fast-paced digital era. His journey serves as an inspirational model for those seeking to traverse multiple creative disciplines while maintaining a coherent artistic vision.