Kevin Carey

Carey probes the intricacies of working-class life and personal history, drawing from his upbringing in Revere, Massachusetts. His work is deeply autobiographical, as evidenced by his collection "The Beach People," which weaves real events and people into its narrative. This reflective style is a hallmark of his writing, allowing him to explore the texture of everyday life in a way that is both intimate and universal. As a poet of the working class, Carey prioritizes narrative style, using his poetry to delve into themes that resonate with the culture and environments of New England.\n\nIn addition to his literary endeavors, Carey extends his storytelling to film and theater. His documentary "Unburying Malcolm Miller," co-produced and premiered at the Mass Poetry Festival, demonstrates his ability to translate poetic sensibilities into visual mediums. Similarly, his stage play "The Stand or Sal is Dead," showcases his versatility as a playwright, contributing to his diverse creative portfolio. Readers and audiences benefit from Carey’s authentic voice and commitment to depicting the realities of the world he knows intimately. His works, including the recognized poetry collection "Jesus Was a Homeboy," which was an Honor Book for the 2017 Paterson Poetry Prize, offer a nuanced perspective on personal and collective identities, making his author bio a testament to the rich tapestry of working-class narratives.