Polly Barton

Barton interrogates the intricate dynamics of language, identity, and cultural assimilation through her work as a writer and translator. Her unique perspective is shaped by her deep engagement with Japanese culture, which began during her time teaching English on Sado Island through the JET Programme. This experience laid the foundation for her debut book, "Fifty Sounds," a personal dictionary of the Japanese language that melds memoir with linguistic exploration. Her work is characterized by a lyrical, introspective style, examining the nuances of communication and translation as metaphors for personal transformation.\n\nIn her nonfiction and translations, Barton explores themes of cultural exchange and the complexities of self-identity. Her books, such as "Porn: An Oral History," delve into narrative form and personal testimony, providing readers with a nuanced understanding of the subjects she tackles. As a translator, her portfolio includes acclaimed works like "Where the Wild Ladies Are" by Aoko Matsuda, which was shortlisted for the Ray Bradbury Prize. Her ability to navigate the subtleties of language is reflected in her sensitive translations featured in esteemed journals like Granta and The White Review.\n\nReaders benefit from Barton's insightful exploration of the human experience through language, making her work appealing to those interested in cultural studies, linguistics, and literary translation. Her accomplishments have been recognized with awards such as the Fitzcarraldo Editions Essay Prize and shortlistings for prestigious accolades, underscoring her impact on contemporary literature. This bio highlights Barton's contributions as an author whose narratives bridge cultural divides and explore the depth of human expression.