Stacey Robinson

Robinson interrogates the possibilities of decolonized Black futures through his multifaceted work as a graphic novelist, curator, and academic. His artistic endeavors are deeply influenced by science fiction and Black liberation politics, as he explores the cultural and historical narratives of Black identity. For instance, in his collaboration on "I Am Alfonso Jones" and "Across the Tracks: Remembering Greenwood, Black Wall Street, and the Tulsa Race Massacre", Robinson utilizes the graphic novel format to address themes of social justice and historical memory, intertwining artistic expression with cultural commentary.\n\nHis method extends beyond traditional narrative forms by incorporating multimedia practices that engage with Black cultural narratives, whereas his exhibitions, such as "Ascension of Black Stillness" and "The Black Angel of History", curate visual experiences that challenge and expand public discourse on race and history. Through these creative outlets, Robinson not only aims to broaden the scope of storytelling but also to foster a deeper understanding of Black experiences, providing audiences with both reflection and inspiration.\n\nThis bio highlights Robinson's contributions to both literary and academic fields, particularly as an Associate Professor of Graphic Design at the University of Illinois at Urbana-Champaign. His appointment as a Nasir Jones Hip-Hop Fellow at Harvard University further underscores his impact, bridging the gap between academia and broader cultural movements. His work serves as a catalyst for discussions on identity and representation, making it vital for those interested in the intersections of art, politics, and education.