Susan Manning

Manning synthesizes the history and theory of twentieth-century theatrical performance, delving into dance, drama, and music theatre to illuminate their evolution and impact. Her interdisciplinary approach bridges dance studies with literary, cultural, and historical analysis, thereby offering a comprehensive view of how these art forms intersect with broader cultural movements such as modernism and fascism. Through works like "Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman" and "Modern Dance, Negro Dance: Race in Motion", she discusses the interplay between race, gender, and nationalism, highlighting how these elements influence and are reflected in dance.\n\nThe author’s early book, "Ecstasy and the Demon", reflects her commitment to rigorous historical research and theoretical depth, underscoring her aim to expand the canon of dance modernism. Manning's scholarship offers readers a nuanced understanding of dance as an interdiscipline within the humanities. Her work impacts scholars and students of dance and performance studies by providing frameworks to explore the cultural significance of movement and expression. Furthermore, Manning's co-edited anthology "New German Dance Studies" demonstrates her ability to collaborate across disciplines, enhancing the dialogue on dance's role in cultural discourse.\n\nThis short bio highlights Manning's contributions as both a scholar and educator, with her significant roles at Northwestern University and international teaching engagements furthering the reach of her influence. Her recognition through awards and grants, such as those from the National Endowment for the Humanities, affirms her status as a leading figure in dance studies. Readers seeking to understand the complex interplay of dance within cultural and historical contexts will find Manning's work both enlightening and foundational.