Marc Edward Shaw

Shaw investigates the intersections of performance, cultural identity, and masculinity, particularly in the realm of American theatre. His works, including "Performing American Masculinities: The 21st-Century M...", delve into how masculinity is performed and perceived within contemporary cultural narratives. By examining such themes, Shaw offers readers an opportunity to engage critically with notions of gender and identity, making his contributions vital for those studying cultural and theatre studies. His book, "Singing and Dancing to The Book of Mormon: Critical Essays on the Broadway Musical", co-edited with Holly Welker, further extends this analysis to musical theatre, exploring its cultural implications and societal reflections.\n\nIn his role as an associate professor of theatre arts at Hartwick College, Shaw synthesizes his research interests to foster a deeper understanding of theatre's cultural impact. His academic pursuits focus on American performance and masculinity studies, offering valuable insights for students and scholars interested in cultural analysis through the lens of theatre. This approach not only enhances the reader's comprehension of these themes but also broadens the discourse on how performance art can influence and reflect societal norms.\n\nFor those delving into the fields of theatre and cultural studies, Shaw's scholarly works present a compelling narrative that encourages critical engagement. His exploration of complex cultural themes and innovative methodologies offers a unique perspective that enriches the discourse on American performance and gender studies.